Keanu Reaves and Patrick Swayze sit on a sandy beach, Patrick holds a surf board at his chest. Still image from the film Point Break

Film

ART OF ACTION: Point Break (15)

15
  • 1991
  • 2h 2m
  • USA

Free

Coming soon

Attributes

  • Directed by Kathryn Bigelow
  • Origin USA
  • Year 1991
  • Duration 2h 2m
  • Certificate 15
  • Type Film

After a string of bizarre bank robberies in Southern California, with the crooks donning masks of various former presidents, a federal agent, Johnny Utah, infiltrates the suspected gang. But this is no ordinary group of robbers. They're free-spirited surfers, led by the charismatic Bodhi, addicted to the rush of thievery. But when Utah falls in love with a female surfer, Tyler, who is close to the gang, it complicates his sense of duty. This wildly entertaining crime drama launched Keanu Reeves as an action star at the height of his dreamboy 90s fame.

Audio Description & Soft Subtitles TBC.


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The First Woman of Hollywood Action

Kathryn Bigelow made history in 2009 when she became the first woman to win a Director Oscar for The Hurt Locker which also won Best Film that year. The gossip papers were eager to watch the ceremony as her biggest competition that night was her ex-husband James Cameron with Avatar. It was an extraordinary moment to reflect on their once-tight collaboration and how both of their cinema styles have evolved since. The years of their relationship and professional collaboration through the 1980s and 90s was at the height of the bombastic, effects-laden action set-pieces era of Hollywood’s second Golden Age, and their mutual fascination with pushing the boundaries of technology, the seductive nature of violence was felt throughout in the films they made in that time. Cameron created (arguably fetishised) tough resilient women on screen – Ellen Ripley, Sarah Connor – whereas Bigelow celebrated a more complicated take on masculinity – the pretty faces of Keanu Reeves, Patrick Swayze most notably in Point Break and Ralph Fiennes in Strange Days - whilst giving us some fascinating women to accompany them – Tyler and Mace respectively. Bigelow claims not to be interested in staking ground in the industry on the basis of gender, but what she creates is just as groundbreaking in more nuanced way than the muscle-bound heroines of Cameron’s films. There is much to consider with gender representation and pioneering style in their films, but above all, these are some of the best times you’ll have watching films in the cinema!


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